A video ad deliverables checklist for agencies is the list of every file, format, and document a client needs to receive before a project can be marked "done." Without one, agencies lose hours to last-minute requests for a square crop, a missing caption file, or a client asking "where's the voiceover-free version?" the night before launch. This guide gives you a complete, reusable checklist plus the systems to keep it from falling apart on busy weeks.
Why Agencies Need a Formal Video Ad Deliverables Checklist
Most agencies lose scope, not money, on video ad projects. A client assumes the square crop is included. A media buyer needs a silent version for a placement that auto-plays with sound off. Someone on the client side wants the raw voiceover track to dub into another language. None of this is unreasonable — it just needs to be defined before production starts, not negotiated after delivery.
A written checklist does three things: it sets expectations with the client, it gives your production team (or your tool stack) a fixed target, and it becomes the single source of truth when there's a dispute about what was promised. If you're also standardizing how clients sign off on creative, pair this checklist with a client approval process for video ad creative so both sides know exactly when a deliverable is considered final.
The Core Video Ad Deliverables Checklist
Break deliverables into three stages: what's needed before production, what gets delivered at the end, and what gets handed off for the client's own records. Treat each stage as its own mini-checklist inside the master one.
Pre-production deliverables (confirm before you shoot or generate anything)
- Brand assets received: logo files, brand colors, fonts, any existing product photography or screenshots
- Product or offer details confirmed: price, promo code, shipping terms, any legal disclaimers required
- Target placements agreed: TikTok, Instagram Reels, YouTube Shorts, Facebook Reels, Meta feed, or a mix
- Script or creative direction approved in writing (even a one-paragraph brief counts)
- Language(s) for on-screen copy and voiceover confirmed
- Sound treatment decided: voiceover plus music, music-only, or fully silent for muted autoplay environments
Core production deliverables (the actual ad files)
- Primary vertical cut at 1080x1920 (9:16) for TikTok, Reels, and Shorts
- Square or near-square cut at 1:1 for feed placements
- Portrait 4:5 cut for some Meta feed and Instagram placements
- Landscape 16:9 cut for YouTube in-stream or display partners
- Captioned version with word-by-word or burned-in text for sound-off viewing
- Clean version without captions, for clients who want to add their own localized text
- Voiceover version and a music-only (or silent) alternate, if the media plan needs both
- At least one alternate hook or opening 3 seconds, if A/B testing hooks is part of the scope
Handoff deliverables (what the client keeps after the project closes)
- Source or master files (or a clear statement that only rendered MP4s are provided)
- A simple usage rights note: can the client re-edit, re-cut, or reuse the ad for organic posts
- A one-line changelog of what was revised across rounds, so the client isn't guessing which version is final
- File naming convention applied consistently (client, campaign, aspect ratio, version number)
- Final invoice or scope confirmation tied to the number of ads and revisions delivered
Deliverables by Platform: A Quick Reference
Clients rarely ask for "a video ad." They ask for a video ad that works on a specific placement, and each placement has its own default expectations. Use this table as a starting point to confirm with the client, not as a fixed rule — platform defaults can vary by account and ad format, so always check the current placement before final export.
| Placement | Typical aspect ratio | Typical resolution | Sound default to design for |
|---|---|---|---|
| TikTok For You feed | 9:16 | 1080x1920 | Design for sound on, but test on mute |
| Instagram/Facebook Reels | 9:16 | 1080x1920 | Design for sound on, but test on mute |
| YouTube Shorts | 9:16 | 1080x1920 | Design for sound on |
| Meta feed (image/video) | 1:1 or 4:5 | Square or near-square | Assume sound off by default |
| YouTube in-stream | 16:9 | 1920x1080 | Sound on, skip risk in first seconds |
If export settings are a recurring source of back-and-forth with clients or media buyers, it's worth keeping a dedicated reference on hand — see our full guide to video ad export settings for social platforms for the detail behind this table.
Turning the Checklist Into a Reusable Template
A checklist only saves time if it's reused, not rewritten for every client. Three things make that happen:
- Keep one master document with every possible deliverable, then duplicate and delete what doesn't apply to a given scope
- Attach the checklist to the proposal or contract, not just an internal production doc, so the client has already agreed to what "done" looks like
- Store finished deliverables in a client-named folder structure that mirrors the checklist, so a new team member can find "the 1:1 muted version" in seconds
If you're producing for several clients at once, the checklist also becomes the backbone of your production calendar — you can see at a glance which client is missing a brand asset or a sign-off before the deadline, rather than finding out the day of launch. For agencies scaling past a handful of accounts, this is usually the point where it's worth reading how agencies produce video ads for multiple clients at scale, since the checklist and the production system need to grow together.
Common Deliverable Mistakes That Delay Approval
Most delays come from the same handful of gaps. Watch for these before they become a pattern across accounts.
- No muted version delivered, so the client can't test the ad on a placement that defaults to sound off
- Only one aspect ratio produced when the media plan actually needs three or four
- Captions burned in with no clean version underneath, blocking any later localization
- Revision requests tracked over email instead of a log, making it unclear which version is current
- No agreement on how many revision rounds are included, which turns "one more tweak" into unpaid scope creep
That last point deserves its own system. If revisions are a constant source of friction, a structured process — covered in how agencies manage video ad revisions — prevents the checklist itself from becoming a moving target.
How FrameNotion Fits Into a Deliverables Checklist
A lot of the checklist above exists because most production workflows generate one file at a time. FrameNotion is built so several of these deliverables come out of a single job instead of a separate export step for each. Paste a product link (or upload a flyer for a motion poster), and FrameNotion AI writes and renders a 30-second vertical ad — then every ad also comes as 4:5, 1:1 and 16:9, with captions, a cut-to-the-beat music track, and an AI voiceover in any of 18 languages, or music-only, or silent, depending on what the placement needs.
That means the "core production deliverables" section of your checklist is largely handled on generation rather than reassembled after the fact. Text and color changes can be requested afterward without starting a new ad, and Pro and Agency plans support A/B hook variants — useful if hook testing is part of your scope. It's worth being clear with clients that FrameNotion doesn't publish directly to ad platforms or report on performance; it hands you the finished files, and your team (or your ad platform) takes it from there. You can see the range of outputs in the example ads and the mechanics in how FrameNotion works, or check current plans on pricing if you're estimating cost per deliverable across a retainer.
Putting It All Together
A video ad deliverables checklist for agencies works best as a living document: reviewed after every project, updated when a client asks for something new, and attached to every scope of work so there's no ambiguity about what "finished" means. Start with the pre-production, production, and handoff lists above, adapt the platform table to your actual media plan, and keep the checklist next to your revision and approval process rather than treating it as a separate document. The agencies that avoid late-stage scope arguments are usually the ones who defined the deliverable before they picked up the camera, not after.
Frequently asked questions
What is a video ad deliverable, exactly?+
A deliverable is any file or document the client receives as part of the finished project — not just the final MP4. That includes different aspect ratios, captioned and clean versions, voiceover or music-only alternates, and handoff items like usage rights or a revision log.
How many aspect ratios should be in a standard deliverables checklist?+
A common starting point is four: 9:16 for TikTok, Reels and Shorts, 1:1 and 4:5 for Meta feed placements, and 16:9 for YouTube in-stream or display. Treat this as a baseline to confirm against the actual media plan, since not every campaign needs every ratio.
Should the deliverables checklist be part of the contract or a separate document?+
Both work, but referencing the checklist directly in the proposal or contract reduces disputes later. If it lives only in an internal production doc, the client never formally agreed to what counts as complete.
What's the biggest deliverable most agencies forget?+
A muted or captioned version for sound-off placements. Agencies often deliver a single voiceover-driven cut and assume it covers every environment, then have to re-export under deadline when a placement defaults to sound off.
How does a tool like FrameNotion change the checklist?+
Several core deliverables — multiple aspect ratios, captions, voiceover and music-only versions — come out of the same generation step instead of separate production tasks, so the checklist becomes more of a handoff confirmation than a full production workload.
